© Protected - Classical Music in Poland and the Europe of Chopin - Reviewer's Notebook

Dimitry Shishkin  2015 International Fryderyk Chopin Competition, Warsaw I found re-reading my competition review notes of Dimitry Shishkin, winner of the 6th prize during the 17th International Fryderyk Chopin Competition in 2015, rather interesting. It is always instructive to look back at the written record of his performance, particularly in light of his recent magnificent 2nd prize in the 16th International Pyotr Tchaikovsky Competition 2019.  In such an ephemeral art as musical performance, it is always constructive to glance back at past performance impressions when present victories emerge. Possibly the unique value of my modest efforts is at least the preservation of an historical record.  Reflections on Stage II       9-12 October 2015 Dimitry Shishkin (Russia) Next to Eric Lu and Kate Liu by far the most astonishing pianist so far in this competition . He is genuinely in the Richter, Gilels mo...

Stadtbad, Leipzig Bach and Dresden Bach versus Marchand L. Marchand: Prélude – Gigue – Chaconne J. S. Bach: Fantasie a-Moll, BWV 922 J. S. Bach: Fuga, aus: Konzert C-Dur, BWV 1061a   Movements from the Suit in G minor by L. Marchand   Suite in G Major, BWV 816, J. S. Bach   Andreas Staier (harpsichord − J. S. Bach), Ton Koopman (harpsichord − L. Marchand), PD Dr. Michael Maul (presentation) This was a highly entertaining late night concert idea with two of the finest harpsichordists playing in the world today 'fighting it out note for note, phrase for phrase'. Although this Bach - Marchand confrontation at the Dresden court never actually took place (Marchand fled in fear under cover of darkness back to Paris) the idea of a keyboard duel has had a long and distinguished history. 16th century St Mark’s in Venice witnessed the ‘Duel of Two Organs’  between Andrea Gabrieli and Claudio Merulo in an improvi...

Haus Leipzig Bach and Köthen Bach Dances J. S. Bach: Partita G-Dur, BWV 829 J. S. Bach: Partita a-Moll, BWV 827 J. S. Bach: Partita B-Dur, BWV 825 J. S. Bach: Partita c-Moll, BWV 826 J. S. Bach: Partita D-Dur, BWV 828 J. S. Bach: Partita e-Moll, BWV 830 Sir András Schiff (piano) This was one of the highlights of the festival for me. First of all a few words about the gestation of the incomparable Bach Partitas. Clearly, Bach had been influenced by French music in his composition of the French and English Suites (all begin with a  prelude ) and  all of which conventionally contain an allemande, courante and sarabande . However, in the orchestral suites there are various combinations of familiar movements but a smattering of unique inventions such as the  forlane, badinerie  and  rejouissance. In the partitas , published as the Clavierübung  Op.1, the introductory pieces are all different and possibly experimental - prel...